Community support for the neighboring victims of the Camp Fire continues to be an inspiration. One of the upcoming efforts will take the form of a benefit concert featuring local musicians and performers at the Town Hall Theatre on Wednesday December 5th.
Plumas Arts Director, Roxanne Valladao tells us, "Cameron Scully came to us right after the fire with the idea of the benefit concert. Plumas Arts has lent our support providing the use of the Town Hall Theatre to host to the dozens of performers he has collected to take the stage to raise funds for our friends, relations and neighbors who have suffered in the devastating wake of the Camp Fire."
With his first effort to produce such an impressive and massive undertaking Scully has rallied an impressive collection of artists from students to seasoned performers in a program that will begin at 5pm and continue through until 9:30 or 10pm.
An opening teaser from the West End Theatre's production of The Full Monty, which will run the first two weekends of January.
Lance Barker and Company,
Piano solo by Sylvia Wood,
Guitar duet by Averi McIntyre & Ryan Carpenter,
Tristan Mc Michael,
Quincy High School band with Ms Markee,
Charlie Forcino & Company,
Vocals by Cameron Scully with Chris Gibson on piano,
Ragtime piano by John Probst,
Keely Nesbit & Friends,
An invited Open Mic Session will close the evening's festivities.
Bring your best intentions and some spare cash to make generous admission and prize drawing donations to support the this valiant effort and a most worthwhile cause, which truly embraces the spirit of the season.
All the proceeds for the evening will be donated to the Paradise Sheriff's Department.
Plumas Arts has a convergence of world-class events coming to the Town Hall Theatre.
It begins with the screening of the documentary RBG on Wednesday, October 31 at 7pm. RBG is a certain contender for best documentary film. It is the story of U.S. Supreme Court Justice Ruth Bader Ginsburg who at the age of 84, has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. The unique personal journey of this diminutive, quiet warrior's rise to the nation's highest court has been largely unknown, even to some of her biggest fans - until now.
A few days later Plumas Arts will host a lively world music concert duo with Scottish cultural ambassador and fiddle master Alasdair Fraser and Julliard trained California cellist Natalie Haas on Friday, November 2. The concert begins at 7pm with doors opening at 6:30pm.
The musical partnership between consummate performer Alasdair Fraser, "the Michael Jordan of Scottish fiddling", and brilliant Californian cellist Natalie Haas spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 18 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding and the joyful spontaneity and sheer physical presence of their music.
General Admission is $25 with a $20 price for Plumas arts members. Presale tickets are available online at plumasarts.org or at the Plumas Arts Gallery, Quincy Natural Foods and Quincy Provisions. A special offer is made to music students to attend the concert at the member discount price, just ask at any of the outlets or choose the member price online.
Saturday to Monday, November 3-5, BlackKklansman will screen at 7pm each night with a 4pm Sunday Matinee. This critically praised, awards season contender is produced by visionary filmmaker Spike Lee, filled with 1970s fashion and music, based on the incredible true story of an American hero. Ron Stallworth is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, he sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan.
The theatre will host the debut screening of Visions of the Lost Sierra on November 7. The film celebrates the story of the Feather River through interviews with local historians, ecologists, conservationists and outdoor recreation enthusiasts. It emphasizes the importance of the Feather River while showcasing its unique history and beauty, explores how people need free-flowing rivers and wilderness for solitude and inspiration, showcasing the dreams of local people, and highlighting how we are connected to one another by the Middle Fork of the Feather River.
At the Plumas Arts Gallery opening for the work created by the 2018 Artist in the Lookout will not occur on the first Friday to accommodate the November 2 Fraser & Haas concert and a date conflict with one of the artists. The opening for the 2018 Artists in the Lookout: Megan Gnekow, Lenora Herndon and Wendy Wayman will be on Friday, November 9 from 5-7pm.
2018 ART BARN PEOPLE'S CHOICE AWARD WINNERS
The judges, they judge, but the people, they also have their say at the Art Barn during the Plumas-Sierra County Fair. The People’ Choice award at the annual county Fair are always the most coveted.
People's Choice award winners and the category for which they won are:
Courtney Jennings was chosen for Children's Arts and Crafts.
Jade Kennedy won the Student Photography category.
Johnna Leonhardt was the Adult Amateur Arts & Crafts People's Choice award winner.
Heather Way and Terri Rust were tied for the Adult Amateur Photography award.
Dani Czuprynski was chosen for the Professional Arts & Crafts Division
Michael Beatley won for Professional Photography.
In the new category for Decorated Piggy, the Winner was Quincy Provisions.
In addition to the honor of being selected for this award each of the winners will receive a beautiful ribbon and a cash award or Town Hall Theatre movie passes contributed by Plumas Arts.
Plumas Arts coordinates a massive volunteer effort each year to accept, hang and docent the Art Barn for the duration of the fair. Plumas Arts is extremely grateful to the dozens of people that make the Art Barn display possible. “We certainly could not do this without the hands and help of so many that make this possible,” says Roxanne Valladao, Plumas Arts’ Executive Director.
Art Barn coordinator extraordinaire Maggie Hennessy shows off the completed "adopted pigs" under the new canopy of white lights.
THE ART BARN IS A LABOR OF LOVE
“Fair management has told us for many years that the Art Barn at the Plumas Sierra County Fair is the most popular attraction,” offers Plumas Arts Executive Director Roxanne Valladao.
Plumas Arts has long been the primary coordinating entity behind getting the Art Barn ready for the enjoyment of fair-goers of all ages. The monumental task of getting all the art accepted and up on the walls and docenting during the fair requires many hands and hundreds of volunteer hours to accomplish. Interacting with entrants is a massive public relations effort as kind-hearted volunteers work to resolve issues of late entries or corrections to the final log books that are used for judging.
But the real heart of the project is Maggie Hennessy.
Hennessy has been contracted by Plumas Arts to coordinate, design, and execute the art display since 2014. For her, it truly is A Labor of Love. “Each year Maggie adds another special something to her efforts showcasing the creative talents of the dozens of individuals who bring their precious creations for judging and display,” adds Valladao. “This year she added strings of lights to form a ceiling canopy, and perhaps the most fun is the Animal Adoption Corral.”
For the last several months the paper has announced a campaign to “Adopt a Pig” for $25. Funds collected go into an account for the Art Barn, which funds the additional niceties that have done so much to improve the visuals of the displays.
Once “adopted,” new “parents” are tasked with the decoration of the blank plywood cut-out to make their little piggy a thing of beauty. Decorated pigs are on display in the Art Barn during the fair in the Animal Adoption Corral. A special thanks goes out to Matt McMorrow who cut all those little piggies out of plywood.
And what will be up for adoption next year? Well, Maggie says, it might be roosters.
California Arts Council Director Anne Bown-Crawford (center) visited Quincy to meet with Executive Directors for the Sierra County Arts Council BJ Jordan (right) and Roxanne Valladao (left) from Plumas Arts. The trio climbed aboard a truck parked behind the Town Hall Theatre in front of the mural that the California Arts Council helped to fund.
CALIFORNIA ARTS COUNCIL DIRECTOR VISITS QUINCY
Plumas Arts was honored to host a regional meeting with the newly appointed Director of the California Arts Council, Anne Bown-Crawford, who came to Quincy to meet with arts council directors from Plumas and Sierra Counties.
Governor Brown appointed Anne Bown-Crawford as the new Director of the California Arts Council (CAC) last December. One of her first orders of business has been to travel around the state to meet face-to-face with the directors of the county arts agencies that form the State Local Partnership network.
The Partnership is the backbone of the Arts Council programming that embraces every county in the state into a coalition that genuinely represents the entirety of California. Each county has an opportunity to designate a representative to the State Local Partnership.
Plumas Arts has served as our county’s representative since 1981. In the last two decades Plumas Arts has consistently ranked in an exemplary partner status. The California Arts Council provides essential annual operating support to Plumas Arts.
“The most exciting part of Anne’s appointment is that she has strong roots in the rural areas of Northern California, so she really understands the sensibilities and challenges faced by those of us who serve in rural areas,“ comments Plumas Arts Executive Director Roxanne Valladao. “In the 32 years that I have served in the State Local Partnership we have never had a CAC Director from a rural area, nor have we ever had a CAC Director visit us in Plumas County, so this was a very special occasion.”
With nearly 40 years as a teacher at the secondary level, Bown-Crawford is a champion for arts education, serving as administrator for numerous exemplary arts programs. Most recently as Director of the Arcata Arts Institute and the Innovation Design Institute, both programs within Northern Humboldt Union High School District; as well as the Fine Arts Department Chair at Arcata High School.
Bown-Crawford is also a founder of the Create CA Leadership Council, a statewide collective impact organization with a mission to rethink and create an educational environment for all California students featuring arts education as a central part of the solution to the crisis in our schools, and a member of the National Art Education Association and the California Art Education Association.
She is also a new media studio artist and a freelance graphic designer who specializes in branding not-for-profit organizations via print, web, and social media. Bown-Crawford holds a Master of Arts in Education from UC Berkeley, a Bachelor of Fine Arts in Design from Northern Illinois University, and was an MFA Design candidate at the California College of Arts.
JOHNY PLAYS CAPTAIN CARL’S FIDDLE
As part of the June 9 Town Hall Theatre Mural and Tribute to Wells C. “Captain Carl” Clarke, Johnene McDonald, the proprietor of Face the Music Studio will perform two songs that she wrote for “Captain Carl” entitled Carl's Last Waltz and Captain Carl's Ship Has Sailed on the violin that is now hers.
McDonald is an award-winning fiddle player and music teacher who trained countless students of all ages on a variety of musical instruments over the last several decades. Given this dedication and history, she was gifted a violin by Carl that belonged his mother. This is the story McDonald tells about how the fiddle came to be hers.
About a month before Carl died, Jack Brown and Carl came into her studio. Brown was carrying an old coffin fiddle case and Carl said it was his mother's violin. “Carl said it was my fiddle now.”
Coffin cases in general date back at least 100 years. When she opened the case the fiddle had no strings, the bridge was down and the fiddle was almost black with dirt. “First thing Saturday morning I got out my fiddle cleaner and cleaned all the grime off of it, put on some new strings and set the bridge back up. The first note I played on it set my heart soaring as I knew from that ONE note that it was an amazing old fiddle.”
McDonald has named the fiddle Captain Carl and she plays it all the time at her studio. “I really don't know much more about it except that it is probably a couple of hundred years old. I picture it coming across the prairies on a wagon and falling off because it has a lot of old cracks in its body, but someone cared enough about it to fix it up... Either that or it was in a bar room brawl or something, it has had a pretty rough life.”
“I have always wished that people would write notes about the fiddle and put it in the case so you could trace the history on these old instruments, where they've been, who's played on them, etc. It is such an amazing thing to have an old instrument that is as old as our country and was around when Beethoven was composing music.” She wonders, “Did Beethoven play on it, or Mozart? The possibilities are really up to the imagination when something is that old.”
For the June 9th Tribute to Captain Carl, McDonald will be accompanied by Dave Johns on guitar.
THE LEGACY OF A GENEROUS MAN
Plumas County lost one of our favorite citizens and characters in August of 2015, but the legacy of Welles Carlton Clarke, Jr., better known to us as “Captain Carl,” will live on through his magnanimous bequest to Quincy, Meadow Valley and beyond, for generations to come.
And so will the stories about him, and maybe even more, the stories that he told us in that voice of his that could only be the voice of “The Cap’n.” All of us got bits and pieces of a colorful past retold around campfires or at the bar of the Plumas Club… he worked: as a ship’s captain out of Newport Beach chartering trips for the likes of Richard Burton, for the Army Corp of Engineers bulldozing roads in (what was then) Burma and the creation of the Kawaihae Harbor in Waikoloa on the big island of Hawai’i. Locally we knew him as Grand Humbug for E. Clampus Vitus Chapter 8, Chief of the Chute Crew for the Solar Cook Off responsible for the set up for that event, a heavy equipment operator and the guy you would call on to get things done.
No one would have ever guessed that he was a man of means. You could find him most evenings at the Plumas Club, most any Clamper doins’, the annual Solar Cook Off or Sunday afternoons at the Town Hall Theatre where he sat in that same seat, Captain Carl’s seat, to see every movie we showed from animated fairytales to the bang-bang action thriller shoot-‘em-ups and everything in between.
He loved the theatre and cared deeply for his community. We learned that in his final wishes he wanted to make sure that some of his assets made their way to benefit the Town Hall Theatre.
In addition to Plumas Arts and the Town Hall Theatre beneficiaries from the Estate of Wells C. Clarke (totaling $1.7 million) include: Meadow Valley Fire Department, Plumas District Hospital, Meadow Valley Schoolhouse and Plumas Corporation’s Watershed Program; Feather River College Foundation for: Rodeo, Women’s Volleyball, Sand Volleyball, Baseball, Softball and Basketball Teams and Feather River Fitness; Plumas Community Radio, Buck’s Lake Fire Department, Plumas County Search and Rescue, Plumas County Museum, Plumas Hospice and Quincy High School; the Meadow Valley Community, Our Savior Lutheran, Quincy Untied Methodist and St John’s Catholic Churches; Plumas Rapids Swim Team, Feather River Land Trust, Central Plumas Recreation District, Quincy and East Quincy Beautification Programs, Quincy MS Girls, Quincy Little League, E. Clampus Vitus Chapter 8, Quincy Rotary, Dramaworks, The Common Good Foundation and Feather River Trout Unlimited.
For this astonishing distribution of funds we all have Carl’s long time friend Jack Brown to thank, because right up to the end Carl did not care much about the money. It was at Jack’s suggestion that money be given to the community and he handled the arduous task as executor of Carl’s estate without compensation. So here again we recognize a labor of love by another community-minded citizen.
With his donation to Plumas Arts, we were given a foundation that we had only dreamed of before. We still need to write grants, do fundraising and manage earned income programs. Memberships are still the backbone of our support base. Annual membership donations of $40, $50, $100 or more from hundreds of individuals, families businesses and organizations validate the importance of the work we do building community through arts programming in addition the essential aspect of covering annual operating expenses.
But what we now do have, with heartfelt thanks to our Friend Captain Carl, are funds to take care of the historic facilities that we have been tasked to manage: the Town Hall Theatre circa 1936 and the former Capitol Saloon circa 1872 which is now the Plumas Arts Gallery). So now we do not have to have a panic attack when something breaks or needs repair.
We also established a Plumas Arts Endowment with funds held in public trust and returns invested in community arts services. That endowment also provides opportunity for others who may be interested in a legacy donation to help to keep local arts thriving in our community for well into the future. As an organization that has worked hard and struggled for decades to do the good work that we have become respected for, this is all something that we can still only barely believe.
Plumas Arts will offer a tribute to our most unexpected and beloved benefactor with as part of our 36th Anniversary Celebration on June 9th. At 3pm join us as we give tribute to Captain Carl and dedicate the mural on the back of Town Hall Theatre where his likeness smiles out to passers-by.
At 4pm the celebration moves to the Dame Shirley plaza for a party with Free admission circus fun and games provided by QUIRCUS and dance-inspiring funk, rock, New Orleans style jazz music by the eight-piece, horn-heavy band RIGMAROLE. There will also be a no host beer, wine and beverage bar and a barbeque meal available for purchase.
Thank you Captain Carl for giving us so much more to celebrate!
2018 Artist in the Lookout Residencies Announced
A project of Plumas Arts and the Plumas National Forest, the Artist in the Lookout Residency 2018 was awarded to painting pair Lenora Herndon and Wendy Wayman and science illustrator Megan Gnekow . The Artist in Residence program provides a unique opportunity for an artist to spend four nights at the Black Mountain Lookout to draw upon the breathtaking landscapes of the Plumas National Forest for inspiration.
Megan Gnekow (pronounced knee-cow) earned an undergraduate degree in Art from Portland State University and completed the Science illustration graduate program at UC Santa Cruz. She has exhibited throughout the US and regularly offers workshops to inspire people to connect to Nature through artistic practices.
“I believe that it is my responsibility to honor the beauty, wildness and value of every species on this planet. My mission is to celebrate these connections and honor the role each plays in sustaining the ecosystems where we live.”
Meagan currently lives in Paicines CA (near Hollister), but has local ties. “My grandmother lived in Portola in the 1980s and 1990s and is buried there. We visited her a lot in the summer time and I remember driving up along the Feather River, admiring the power of water to shape rocks. I loved swimming in the rivers and lakes! My mom, brother, sister-in-law, and niece all currently live in Chester, right on the edge of the Lassen National Forest.”
She spends parts of June and July conducting butterfly surveys at Mt. Lassen, in Quincy's Butterfly Valley, and on Mt. Hough - along with many other locations in the mountains of northeast California.
Gnekow’s project for the residency will be to produce a book of drawings that illustrate the ecosystems surrounding the Black Mountain Lookout and within the Plumas National Forest. Her public presentations will bring her into Plumas County elementary schools.
Lenora Herndon (r) & Wendy Wayman (l) are life-long artists pursuing artistic interests and refining their skills as painters through private lessons and in artist workshops and classes at Feather River College. Both have been teachers. Wayman taught English at several colleges. Herndon served for nine years as the art instructor at Plumas Christian School and is currently an Artist in the School with Plumas Arts.
The approach to their residency is entitled “Plein Air par Deux.” With it they challenge the notion that aesthetic engagement with Nature need be a solitary activity. To describe it they use an oft-quoted saying in Plein Air circles “it takes two artists to paint: one to paint and the other to tell her when to stop.”
“We have found this to be true. In both inspiration and execution, working together helps us meet the demands of chasing the light, working quickly, and battling the hostile elements: like turpentine-seeking horntail wasps or late afternoon winds.”
Work produced by this artistic duet will be the featured Plumas Arts Gallery show in November of 2018.
THE STORY OF THE TOWN HALL THEATRE MURAL
The idea of a mural on the back of the Town Hall Theatre has been around since before Plumas Arts first purchased the movie business from Gary Patton in 1989. The process of making that dream real took flight when muralist Rafael Blanco, who had been hired as the Art Instructor at Feather River College, came to the attention of Plumas Arts.
In September of 2016 a grant application was written to the National Endowment for the Arts. A few months later when the award was given, Plumas Arts staff began the process of gaining approval from national and state offices of historic preservation to validate that the proposed mural would have “no ill effect,” since even though the building has not been designated as a historic site, it was built in 1936.
Working with the muralist Rafael Blanco, the design process went through numerous iterations. In initial phases, it was imagined that the design would capture historic scenes of the facility’s use, the faces of the many who have supported the theatre (over the nearly 85 years of its history) and the artists and arts supporters who have helped to make local arts such a significant part of the quality of our lives.
Over a period of months of trying to make that work, photos and individuals were collected and considered. “It became clear that what we had wanted was going to be “too many and too much” for a single wall- even this 50’ wide by 35’ high one,” comments Plumas Arts Director, Roxanne Valladao. “The greater issue became that regardless of how diligent an effort we made to be comprehensive, more deserving individuals and groups would be left out than included. That sad fact was going to defeat our intention to be inclusive.”
The muralist intervened at this stage with valuable lessons on public art and design: Not everyone was going to be pleased, many would have an opinion about the work, and that it was the job of the muralist to create something universally understood and beautiful. Once that arduous decision was reached, the design was brought before the Plumas Arts Board of Directors and the Plumas County Planning Commission’s Design Review Committee for final approval.
Preparing the wall for the mural involved weeks of repairing leaks and failing stucco on the massive back wall of the theatre. To get that job done, and the mural painted, involved an impressive assembly of scaffolding – five tiers at the peak. Scaffolding was generously loaned, for several months longer than originally anticipated, by Bertocchi Masonry, Glover Construction and Feather River College.
Blanco began painting in late Summer and continued through Fall with a work schedule that had to accommodate the birth of his son, family visits, two other mural commissions, a return to teaching, rain, freezing temperatures and icy scaffolding planks. No complaints though. With his earplugs putting him into a trance of sorts, clothes covered in paint, he was always a charming ambassador engaging passers-by, visibly happy to be doing something he repeatedly offered he “loved doing.”
The now-completed Town Hall Theatre Mural presents a symbolic representation of performing artists, both local and from around the world. Ken Cawley, Barney Harchis, Leslie Mink and Kenny Davis are the rambling fishy quartet across the apex. QUIRCUS stilt walkers Lindsay Davis and Nikki Hall stand alongside Ballet Folklorico Dancers of Veracruz Mexico. Poi dancers visiting from New Zealand’s Kahurangi Maori Dance theatre take center stage. Patrick Ball as Turlough O’Carolan (who returned for a Dec 8 concert) and Antsy McClain (scheduled to return to Quincy for a concert July 28) occupy the right side. In the center of it all is a fitting tribute in a portrait of Wells C. “Captain Carl” Clark whose legacy lives on in his extraordinarily generous bequest to Plumas Arts and literary dozens of entities in Quincy and Meadow Valley.
“This has surely proven that good things- in this case a Thing of Beauty- are worth waiting (and working) for,” adds Valladao. “The Town Hall Theatre Mural has transformed a once-lifeless wall in an alley that no one ever noticed into a defining asset to downtown Quincy boasting the tagline “The Heart of Community.”
Plumas County locals enjoying a Plumas Arts event.
PLUMAS ARTS RANKS WITH THE BEST IN THE STATE
Plumas Arts has been designated by the County Board of Supervisors to serve as our county’s representative in the California Arts Council’s State Local partnership program since 1981.
Each year the organization makes an application to the program for operating funds through a competitive grant application process. Grants are ranked based on the criteria of Local Arts Networking, Community Engagement and Fiscal Management and Leadership.
In the organization’s most recent application Plumas Arts was ranked at the highest possible level with the likes of San Francisco, Los Angeles, Santa Cruz, San Diego and Sonoma counties.
“We were one of only several rural North State arts councils and the least populated of any applicant to be in the top ranks,” comments Executive Director Roxanne Valladao. “Grants are reviewed by a panel of arts professionals representing diverse areas and expertise throughout the state. “It is particularly meaningful to be held in such high esteem by our peers.”
The review panel was impressed with “how much the agency achieves with such a small population”… “good range of revenue streams”… “the commendable support of a dedicated membership” and “how well (Plumas Arts) works within a variety of community sectors.”
The State-Local Partnership program fosters cultural development on the local level through a partnership between the CAC and local arts agencies throughout the State. Partners are tasked to enable the creation, presentation, and preservation of the arts of all cultures to enrich the quality of life for all Californians.